I have been playing with music production software programs ever since I downloaded a trial version of Cool Edit way back in high school. It was sort of clunky, but I completely adored it. I suddenly had a powerful program in my hands that could do all sorts of musical things that I had never imagined possible.
I was able to synthesize my own tones, give them different ambiances and effects, layer several tracks on top of one another, play things backwards - you name it. By the standards of today's best music production software programs, it wasn't incredibly powerful, but at the time it absolutely blew me away.
Creating music was a dream of mine at the time. I even contemplated going to college to begin a music industry career. One of my brothers was heavily involved in the music industry as a local performer in LA.
Even though he wasn't truly generating a career out of it, he did have a good tidy supplementary income from his shows. I did not have the skills to become a musician, but I did have an ear for music. I could take a very good track and make it better - a skill that all music producers need.
I decided to get some serious music production software as soon as I left high school. I was a realist.
Even though the technology wasn't quite up to what it is nowadays, I still knew that music production programs were the wave of the future.
Acquiring racks and racks of studio equipment was prohibitively expensive - especially for a novice sound recording engineer like myself. The software program for music production cost a few hundred dollars, but this was nothing in comparison to the prices of good sound recording equipment.
What I did not realize at the time was how many different varieties of music production software programs there are, and how different the results had been in between them. A typical music production program could run between 50 dollars to 500, I know to have exactly the same functions.
A few were basically music recording and mixing programs, created to do multiple tracks and clean up the sound quality. Others were intended for electronic music recording artists.
They had music sampling, sophisticated effects, and MIDI capabilities. I slowly realized that if you wanted to become a recording engineer, you needed to have one of everything and have the ability to do it all.
You could not very well have someone come into your studio and not in a position to access the equipment he required. I made the decision to learn it all.
So, I did my research and examined rock artists and radio rock online by searching: rock music listen.
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